TWO MORE NE OHIO "FOREPOETS:" CRANE AND HUGHES, part 2

For National Poetry Month, I researched eight poets for the CCPL project, especially for their Northeast Ohio connections. Some of the research comes from 18 years of teaching "Ohio Writers" at The University of Findlay, to which I am grateful.

Titled "Five Things You May Not Know About....," the series got cut for a lack of space, but for a blogger, it's all grist for the mill. Today, I am featuring two of those poets, Hart Crane, whose birth and cenotaph are noted in Garretsville and who lived briefly in Cleveland, and Langston Hughes, who went to high school in Cleveland. Both poets were featured in the national series, Voices and Visions.


Langston Hughes (1902-1967)



Five Things You May Not Know About

Langston Hughes

(Six, if you have never seen this baby picture)


 


*****Hughes came to Cleveland at age 14 and attended Central High School (later East Tech)

*****His Cleveland house was recently sold. View the interior at Busta-Pecks’ blog

*****Hughes left Cleveland at 18, writing “The Negro Speaks of Rivers” as he left. Hear him read it here

*****He maintained connections with Karamu House and Cleveland friends throughout his life

*****You can download the Voices and Visions video about Hughes, with interviews by his friends from the Karamu House.

 

TWO MORE NE OHIO "FOREPOETS:" CRANE AND HUGHES

For National Poetry Month, I researched eight poets for the CCPL project, especially for their Northeast Ohio connections. Some of the research comes from 18 years of teaching "Ohio Writers" at The University of Findlay, to which I am grateful.

Titled "Five Things You May Not Know, the series got cut for a lack of space, but for a blogger, it's all grist for the mill. Today, I am featuring two, Hart Crane, whose birth and cenotaph are noted in Garretsville and who lived briefly in Cleveland, and Langston Hughes, who went to high school in Cleveland. Both poets were featured in the national series, Voices and Visions.

 

 

Five Things You May Not Know About

Hart Crane·      

 
 
 *****Garrettsville, OH has an Ohio historical marker denoting his birthplace and also a memorial to Crane in its cemetery, described in this New Yorker article by Henri Cole. (Both of those links are worth checking out.) 

*****NE Ohio artist Gene Kangas' tribute to Crane is this sculpture on the Cuyahoga River

      *****The Academy of American Poets site has a good page on his life and works
*****The Annenberg Learner” features a clip from the Voices and Visions series on Crane 

      *****He lived briefly on East 115th Street, where this marker stands:

  Many thanks to Paul Beauvais who took this photo,
and with fond memories of poet Daniel Thompson,
who worked to get this spot commemorated.
 
 

 

National Poetry Month: On Pinsky and Audience


Donna Cummings  sat next to Paul and me at the Pinsky reading last night, and Cummings typifies for me what I hope National Poetry Month is about. She told me she just began writing poetry, and her teacher at CCC-Eastern told her about the Cuyahoga County Public Library website, "Read and Write, 30 Days of Poetry." She signed on for the site and won tickets for the evening event at the beautiful Ohio Theater of Cleveland's gorgeous and historic Playhouse Square. Good for CCPL for making those tickets available.


Donna Cummings
Pinsky gave his usual allusively rich, well-delivered, funny, personal, and very intelligent reading, beginning with some favorite hits people had mentioned during the day ("Samurai Song" and "Shirt," for example, most of which he recited from memory), then broke out some new work: "Creole," "The City," "Inprovisation on Yiddish," (... a poem, "basically written by my grandmother," he said) "Grief" (a wonderful poem you can find here), a long poem titled "At Pleasure Bay," and a poem from Dante's last canto. Then he handled the Q-A with the polite and brilliant aplomb I have associated with his presentations ever since I first heard him read in 1999. Every "A" of his Q and A's is backed up with perfect examples from literature, all quoted from memory.
 
There were a lot of excellent poets in the audience last night too-- Sarah Gridley (who introduced
Laura Weldon (l) with CCPL librarian
Laurie Kincer (r) and Tom Kincer (c)
Pinsky), Bob McDonough, Joan Nicholl, John (and Lou) Stickney, Robert Miltner, Bonnie Jacobson, Linda Goodman Robinar, John Burroughs, and Laura Weldon.

I'm of the Big-Tent school of poetry, which is why I love National Poetry Month so much. It's not that I think that all poems are great poems or that anyone who writes is a great poet. And like Pinsky I am more aligned with poetry well-read than poetry performance. However, I am all for poetry performance  (outloud, off the page...), and I do have two "performance poems." And I am for poetry on the page...and in audio and video, with music backup or not.  I don't worry so much about the trivializing of the art of poetry, as some critics of National Poetry Month do, and I don't worry about bad poetry destroying the world or the art as some poets and critics do. Though I don't like reading bad poetry all that much, I've learned from James Wright--just walk to the pasture and invite the insects to join you.

But what I am REALLY for is encouraging people to come into the tent and listen, to have their favorite poems and say why. To make videos and sound files and websites and blogs of poems as well as pages. All of which is to say, I am really for Pinsky and for Donna Cummings. She left before I got to ask her how she liked the reading. I hope she did. I hope she continues to write.
 

N E Ohio FOREPOETS: Alberta Turner

Inspired by Wompo (Women's Poetry Listserv), which has an occasional series called "Foremothers," I researched eight Northeast Ohio "Forepoets," some of whom I knew personally, some only legendarily. One was a surprise to me (Vachel Lindsay: he went to college here--who knew? The Hiram crew.)  In all cases, I tried to find out something new to surprise myself.

This first poet was very dear to me personally. We rode the Oberlin-Cleveland bus together one summer and stayed close ever after, so I found no surprises, but I hope I have one for you.


Alberta Turner (1919-2003)

                                                                           
Five facts you may not know about Turner:

·       While many famous poets were born in Ohio and left, Turner was born in New York, left to attend O.S.U., and stayed in Ohio the rest of her life

·       Long-time director of the ClevelandState Poetry Center, Turner conducted a very public poetry workshop that welcomed students, professors, street people, the novices and the published

·       Turner commuted to Cleveland from her home in Oberlin by bus for many years, writing and revising her poems during the ride

·       A poet, editor, critic, and textbook author, she also loved to make jewelry, and her favorite drink was an Old-Fashioned. Neat.

·       You can find out more about Turner here at Deep Cleveland, a wonderful Cleveland poetry repository coordinated by Nina Freelander Gibans .
 
This poem I wrote about Turner was published in my first book, A Tunnel of Flute Song (1980):
 
 
Feather for Alberta
 
"alias volat propriis"
 
They pronounce us together when they name
the ones who sing up here. I would sound
wilder except for the notes you lay.
Calling out territories, how you
terrorize the seventeenth-century wing
when you trill both Milton and Lowell.
 
Your thought flies straight as a crow
on a tangent. "That cat acted like a lamb
just to unnerve me." Sometimes I miss the take-off.
When you insist marriage takes a driver,
I am shedding my license into down
before your eyes warn, "Sorry. A Metaphor."
 
No one else leans over my desk
to have their nose stroked with my necklace
of grizzly chicken plumage. But you are
used to looking at things made of
shell and thread and feather
and knowing just what they are for.
 

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ALL MONTH, CHECK OUT 30 DAYS READ/WRITE POETRY, a daily webpage I created and curated for the Cuyahoga Public Library for National Poetry Month 2014:
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Update: Winners announced here


BIG POETRY GIVEAWAY

For National Poetry Month, I am participating in a giveaway of my favorite stuff, poetry. By the end of April, you can win one of  three books, just by posting a comment here at my site. While I hope that my poet and writer colleagues will post, I'd very much like to hear too from old and new friends who don't much read poetry.  Here are the three titles (ta-dah!), followed by info and links to each book

***Crossing State Lines: An American Renga

***The Trouble Ball

***The Places We Find Ourselves 


***Crossing State Lines: An American Renga (hardback)
Edited by Bob Holman and Carol Muske-Dukes
 

I've been fascinated by the online collaborative work at renga over on the Cleveland Poetics this past autumn raging into and through winter. So I am hoping that some of its poets might be interested in this hardback collection edited by the inimitable Bob Holman and Carol Muske-Duke. It includes fifty-four poets "responding to ideas of America-- and to one another. Among them are Heather McHugh, Adrienne Rich, Phil Levine, Cleopatra Mathis, and David Baker (who lives in Granville, Ohio).


***

The Trouble Ball (hardback)

by Martin Espada

This book reflects on the lives of prisoners, Latin Americans (including my favorites, Nicaraguans), immigrants, and other heroes, as well as Espada's own life from childhood to his work as a tenant lawyer and legal advocate to his current work as poetry professor at U Mass Amherst.

For my money (and I have bought two copies), this Espada's best book to date.  He is reading in Northeast Ohio for National Poetry Month, and with luck, I will get this hardback copy of the book signed for you.

***

The Places We Find Ourselves, is my third chapbook of poetry, spread across my 30+ years as a poet. During those years, I worked teaching, with the most years, nearly 20, at The University of Findlay, where I started a creative writing program that included a writers series both on campus and in prison. After that, I taught for a decade at Bentley University in suburban Boston, and currently, I am back in my hometown of Canton, teaching sporadically as I help to care for my father. Some places in my book are on the map, such as first poem set in Ohio, and the last set in Massachusetts. (Also there is a wonderful place just outside of Cleveland in the great cover photo by Steve Cagan.) But the book is more about the places in our heart these places leave, as the Irish poet, Seamus Heaney wrote, standing at his mother's grave:

And we all knew one thing by being there
The place we stood around had been emptied
Into us to keep.

Here is the last poem in the book written after I had moved to the East Coast following the death of my sister after her two year struggle against cancer.

EGG ROCK

Lynn, Massachusetts

I came to this point three years ago.
Last winter, early morning on the beach,
I heard dog walkers argue how it looked.
One swore a chunk had moved, or a new one, risen.
The other said no, old outcrop: he’d bet a quarter,
staking his claim on Egg Rock’s being
“stable, solid, everlasting,” the way the poets
saw it in the first one hundred fifty years
of Egg Rock poetry now on the net.

Plath must have stared long at it, too,
from south of here in Winthrop, and she
used this site twice as backdrop for a suicide,
seeing a stony godlessness that doesn’t
give or take the riptide, just sits it out.
I can’t weigh in with her certainty or on the walkers’
wager--or Pascal’s. I’d like to know
I could cash in my chips as gamblers do these days
on “Horizon’s Edge” casino cruises pulling into harbor.

Then I view two centuries of online Egg Rock art,
and from the antique paintings, I’d have to say
the rock still looks the same. Oh, I know
the lighthouse keeper’s dog Milo and the near drowned
toddler in Landsmeer’s famous Saved are gone—
or as my friend Marion, who survived cancer says,
say it: are dead—along with swimmers who didn’t survive,
but the rock, I mean, the rock still looks the same.

Art tends to make me feel more hopeful
than life without art would—in fact, sustains me,
but from my second story window this rock itself
could be a new grave, cairn, or egg. Low rider,
close to this earth, it could go under any moment
in a nor’easter or a blast. Lovely loaf in the Atlantic,
it glitters and streams the light’s uncertainty,
all I had before coming here, too.
Leave a comment here on  my blog (see below) and you will be automatically entered in the Big Poetry Giveaway. I'll draw three names on May 1st and announce the winners shortly after that. You needn't have your own blog to enter, just a comment! I will mail the books to the winners, free, no postage, no catch.

Interested in more poetry give aways? Check out the lot of them here:
http://ofkells.blogspot.com/2014/03/big-poetry-giveaway-2014-celebrating.html

(**To Subscribe, go to the very bottom of this page, and click on Subscribe to Posts. This is not necessary to win.)

GETTING READY FOR NATIONAL POETRY MONTH (NPM)

If I don't hustle over to my blogs any other time of year, I manage to get there each year for National Poetry Month, which is April, but this year, I have just gone, as my father would say, whole hog. Here is what I have up for the coming month:

*****LINKING TO THE CCPL SITE
First, I helped the Cuyahoga County Public Library with a Northeast Ohio- focused website for the  month. After intense weeks of contacting poets, getting rights, getting photos, and researching local literary history, I created along with librarian Laurie Kincer, an online site that will feature a daily intro (with news and artful connections), a poem and its poet, a writing prompt, and a link to a poetry site. The official news on that project will go out on March 25th, and the first day will be Tuesday, April 1st-- no fooling! If you'd like to get a daily email reminder (and be registered to win two free tickets to a Robert Pinsky reading April 8th), use this link.

*****BLOGGING ON READINGS
The CCPL site features three nationally-acclaimed poets who will be reading here in Northeast Ohio this spring: Robert Pinsky in Cleveland on Tuesday, April 8th; Ted Kooser in Kent on Thursday, April 10th, and Martin Espada in Kent on Thursday, April 22nd. And throughout the month, there will be Northeast Ohio's steady stream of readings on campuses and in cafes, listed in the terrifically useful calendar at Cleveland Poetics. One in particular that I would like to mention now-- is Joshua Gage's "Ohio Poetry" series, which will feature Lisa Szporluk on Thursday, April 10th. During NPM I'll be attending as many of those as I can and blogging about them, as I did the Merwin reading in Kent a few years back.

***** "The Big Poetry Giveaway"
I am signing on again this year to the project where people are encouraged to respond to poets' blogs, and at the end of the month, responders are eligible for drawings for free books. That begins this Thursday, March 27th, hosted by the West Coast poet who originated the give-away, Kelli Russell Agodon. As always, I try to give away some other surprise in addition to the two books, and I will again this year on April 22nd. Check back here on Thursday to see what!

*****POP (Past Ohio Poets)
One of my projects for the library was to research 8 deceased Ohio poets whose poetry presence lives on. At the last minute, this feature had to be cut, but as Sylvia Plath once said, "For the writer, it's all grist for the mill," and I will be turning that floss into gold here. Find out where you can find graves, homes, and poems of famous Ohio poets.

I am well aware that NPM has its detractors; one is Cleveland-born Richard Howard, who feels it "trivializes the art form of poetry." I don't know about that, but I will say, Laissez les poesie bons temps roulez!

MANDELA, Presente! Free Leonard Peltier

Last night when news came of Nelson Mandela's death at age 95, I posted on Facebook my poem, "Mandela Appears in Montreal 1990," (see the text at the bottom of this post) about the incredible summer that Paul and I spent writing in a cabin in Quebec and we saw Mandela on his world tour after his release from prison. That Quebecois day had been such a celebration of Mandela's spirit in music (Oscar Peterson! children's choirs), chanting, shouting and speeches. We all expected it to be a celebration of him, but Mandela was not going to rest in his release. He used the dais as a way to speak of all the people in South Africa, in the world, who still did not have freedom, not even the freedom to vote. My poem quotes Mandela's final question to the crowd, "Who will stand with us to the end?"

So here we are: is this it? Is this the end? Oh no, there is still much work to do, right here in the United States in achieving freedom for all. I'd like to suggest that one way to honor Mandela's spirit here in the U.S. is to free the one man imprisoned for being Native American, Leonard Peltier.

Leonard Peltier may seem a more controversial figure than Mandela. He's not seen as the saint by some that Mandela is. That Mandela is today. Last night, the Cleveland TV-news interviewed a Shaker Heights couple originally from South Africa. They said they were raised to believe that Mandela was a monster, a very evil man, and that it wasn't until his release and his famous soccer game appearance that they saw he was, in fact, a man, and a good one, who would go on to lead their country into positive changes that were generations in not coming until he led. 

So imprisoning people on trumped-up charges is not a new game, nor a passé game, nor a South African game only, and if the person is a person of color, he has a greater chance of drawing a "get trumped-up" card.   

KSU parking space where one of the
four students was slain.
I don't know that anyone in reading my poem has wondered about my reference to Louis Riel, who was  hanged in Canada in 1885 on charges of leading a Rebellion for Native American rights, a rebellion in which he never carried arms. Like Peltier, he was a controversial figure to some (I mean, whew! he had his days!), but the jury of six English-speaking Protestants who found him guilty also recommended mercy-- which is to say, not the death penalty-- and the judge overruled their decision. The place where he was hanged was later blocked on three sides and turned into a parking lot (shades of the Kent State massacre site). There was a lot of care taken in choosing the Mandela Celebration site, with all its political symbolism. For decades before and after Riel's hanging, it was a site of protests, over French Canadian and Catholic rights, over the draft, and the government had finally managed to stop those by blocking the square off and up, making it difficult to gather in the stark concrete expanse of space. But those who chose the site persisted. They set up viewing stands, they hauled sod in for the day, and for that one glorious warm (in Montreal!) day, people sat in the grass with their children. "Oh listen, darling," one mother gasped, "Oscar Peterson," as he sat down to the piano.

So today we are all feeling the sorrow in the death and the joy in the life of this great leader. And I do mean there is joy in my heart today along with the sorrow because I feel he is still with us. I am reminded that when I lived in Nicaragua, there was a tradition that never failed to bring tears to my eyes. When the name of a person who had died in the Revolution was called out, someone would answer"Presente," present, reminding us that the person's spirit was with us. So today, I say "Nelson Mandela. Presente."

And if the spirit of Mandela is indeed with us as I believe it is, I hope it works through us, and especially through President Obama who has the power, to free Leonard Peltier. 

*******

MANDELA APPEARS IN MONTREAL, 1990

          Your personal world echoes
          in ways common enough,
          a parking lot....
                                      --Robert Creeley

Although it is a drizzly day
in June in Champs de Mars,
thousands can more easily stand it
than they stood it a century ago
in November cold as only
Montreal after Louis Riel hanged.

Then City Hall went up
with its back to the site,
but still the people gathered here
against conscription..
A new court house rose
so high its shadow cast a pall
over the promenade, finally fit
for only a parking lot.
For this day, the lot’s  been paved,
sodded, painted, and set with a stage,
bannered MANDELA, as though
the title of a new musical.

For hours the musicians sound-checked,
dress rehearsed, then did their work
for hours past the set hour, right up to
a choir that started Nkosi Siekli
Afrika--then stopped
then began again as Mandela appeared
to shouts of Amandla!
his native Xhosa, “power!”
that surged in his voice, reverberated
against the lot’s three walls.

          “Twenty-seven years ago
          when I went to prison
          I had no vote....”
                   (no vote,  no vote, no vote--)

That first echo stopped
the applause and silence
held out for a right to more.      

       
          “Today I still have no vote....”

                   (no vote, no vote, no vote....)

Seventy-two years old, POW-thin,
having withstood so much, still standing,
far-reaching, far-hearkening.

          “Our people continue to be killed....”
                   (be killed, be killed, be killed....)

Montreal echoed, the world’s walls echoed,
the backs of the leaders
he would have to see all week
had to face the millions
that stood in the rain to hear
words that reverberate
years later, though the hasty sod
has buckled and died and cars
pack the space again
The words reverberate:

          “Injustice continues....”
                   (continues, continues, continues....)

to the millions who stood
in Toronto, Montreal,
and New York; Boston, then
Oakland, and London--

          “Who will stand with us to the end?”
(From The Places We Find Ourselves: Poems. Diane Kendig copyright 2009.)