BIG POETRY GIVEAWAY 2013, WEEK 1


This week, for the BIG POETRY GIVEAWAY of 2013, I am sending for free a signed postcard of my "Lynn, Lynn" poems to anyone in Lynn, MA  who posts at my Comment page, and you will also be eligible for the book drawing at the end of the month. (One of the books opens with my poem. "Egg Rock," about a famous Lynn place.) Post your comment:
 
Backstory:
The city of Lynn, MA, where I lived 2000-2011 is plagued by a negative little ditty people repeat over and over. I won't repeat it here. Suffice it to say it begins, "Lynn, Lynn, city of sin." Now I LOVED Lynn, loved our view of the ocean, loved its diversity, loved my neighborhood and its people. And one day I ripped off my own little Lynn poem, a poem much sunnier than I am prone to be in poetry. Recently it's been posted at Mildred's Corner Cafe and Shoppe, my favorite breakfast place, by its sweet and dear owner, Jan. And it's been picked up by Lynn Happens.
 
Here's the poem (blush)
 

Lynn, the Sequel 

Lynn, Lynn, a place to begin
a place near the ocean,
a place where you win.
Multidiverse
in food, music and kin,
in schools and in clothing--
ah, museums of Lynn!

It’s true you don’t go out
the way you came in:
you’re wiser, you’re tougher,
thinner and buffer,
(Food Project, the boardwalk
The 5 k's-- please don’t balk).
I’ve left and I’m sorry,
I miss it a lot.

For those of you who still live there, I'd be glad to rewrite those last two lines for you:
I live here, I'm glad,
cuz I love it a lot.

If you are technologically challenged and have trouble posting a comment, email and let me know: dianekendig@yahoo.com
 

THE BIG POETRY GIVEAWAY 2013

My friends love free stuff, and for National Poetry Month, I am participating in a giveaway of my favorite stuff, poetry. For the month of April, you can win one of two books here at my site, just by posting a comment. While I hope that my poet and writer colleagues will post, I'd very much like to hear too from old and new friends who don't much read poetry. And to encourage them, I am having an extra drawing each week to give away a broadside (poster) of an individual poem. (Subscribe** or check back tomorrow to see what this week's broadside is.)

Below is a bit on each of the two books and their authors, one by me, The Places We Find Ourselves, and one by my Wom-po friend, Ann Fisher-Wirth, Dream Cabinet, and a poem from each book.

The Places We Find Ourselves, is my third chapbook of poetry, spread across my 30+ years as a poet. During those years, I worked teaching, with the most years, nearly 20, at The University of Findlay, where I started a creative writing program that included a writers series both on campus and in prison. After that, I taught for a decade at Bentley University in suburban Boston, and currently, I am back in my hometown of Canton, teaching sporadically as I help to care for my father. Some places in my book are on the map, such as first poem set in Ohio, and the last set in Massachusetts. (Also there is a wonderful place just outside of Cleveland in the great cover photo by Steve Cagan.) But the book is more about the places in our heart these places leave, as the Irish poet, Seamus Heaney wrote, standing at his mother's grave:

And we all knew one thing by being there
The place we stood around had been emptied
Into us to keep.

Here is the last poem in the book written after I had moved to the East Coast following the death of my sister after being with her in Minnesota during her two year struggle against cancer.
EGG ROCK

Lynn, Massachusetts

I came to this point three years ago.
Last winter, early morning on the beach,
I heard dog walkers argue how it looked.
One swore a chunk had moved, or a new one, risen.
The other said no, old outcrop: he’d bet a quarter,
staking his claim on Egg Rock’s being
“stable, solid, everlasting,” the way the poets
saw it in the first one hundred fifty years
of Egg Rock poetry now on the net.

Plath must have stared long at it, too,
from south of here in Winthrop, and she
used this site twice as backdrop for a suicide,
seeing a stony godlessness that doesn’t
give or take the riptide, just sits it out.
I can’t weigh in with her certainty or on the walkers’
wager--or Pascal’s. I’d like to know
I could cash in my chips as gamblers do these days
on “Horizon’s Edge” casino cruises pulling into harbor.

Then I view two centuries of online Egg Rock art,
and from the antique paintings, I’d have to say
the rock still looks the same. Oh, I know
the lighthouse keeper’s dog Milo and the near drowned
toddler in Landsmeer’s famous Saved are gone—
or as my friend Marion, who survived cancer says,
say it: are dead—along with swimmers who didn’t survive,
but the rock, I mean, the rock still looks the same.

Art tends to make me feel more hopeful
than life without art would—in fact, sustains me,
but from my second story window this rock itself
could be a new grave, cairn, or egg. Low rider,
close to this earth, it could go under any moment
in a nor’easter or a blast. Lovely loaf in the Atlantic,
it glitters and streams the light’s uncertainty,
all I had before coming here, too.

***
Shopping in the Harvard Bookstore during the holidays, I saw that Ann Fisher-Wirth's new book, Dream Cabinet was recommended by the staff. It needed no recommendation for me, though, because I had read and loved Ann's chapbook Carta Marina, about which I had written, "Her line endings and sound patterns belie such well-crafted poems that I keep rereading her book, long after the heart is healed, the spring has come, the map has led us home." This newest book has the same careful craft, coupled with Ann's wide range of subjects, from her direct, heart-breaking and joyful family poems to poems that suggest her concern with our relationship to the earth. Those environmental concerns led her to co-edit the recent
Eco-Poetry Anthology. You can find out more about Ann here. And here is a poem from Dream Cabinet, for us all, but especially for those with grown daughters, or, in my case, grown goddaughters:
FAMILY GATHERINGS
For I will praise my daughter's beautiful haunches.
Sprawled on the coach, draped over each other,
my daughters make a nest and their babies
play between them. It is late afternoon,
in California: light from the stained glass panel
that hangs in their living room window
pours red and gold and green across their hair,
around their shoulders. The thick curve of hips
and thighs, the lines that are just beginning
to come around their mouths and eyes will linger
in my mind for all the months I do not see them.
And I? Oh body, body. The power that will cast me
like a wad of leaves in the muddy river
is growing in me now. So many years I seemed
unchanging, so many years I ran through life.
***
Leave a comment here and you will be automatically entered in the Big Poetry Giveaway. I'll draw two names on May 1st and announce the winners shortly after that. No blog needed to enter, just an email and a note! I will print each out, drop them all into my big Cow Jumping Over the Moon cookie jar, from which I will pull two names on May 1st and announce the winners shortly after that. I will mail the books to the winners, free, no postage, no catch.

Interested in more poetry give aways? Check out the lot of them here:
http://thealchemistskitchen.blogspot.com/2013/03/sign-up-now-to-participate-in-big.html

**To Subscribe, go to the very bottom of this page, and click on Subscribe to Posts.

The Next Big Thing

"The Next Big Thing" has been called an international tag game among writers. One writer "tags" another writer to answer some interview questions about an upcoming book or other literature project. The tagged writer answers the questions and tags five other writers.Through WOMPO, a list serve of over 1000 women poets world-wide, I was tagged to participate by South African poet and musician Lisl Jobson. Jobson is the author of Ride the Tortoise, a collection of stories. Here is what I had to say:
What is your working title of your book?
Prison Terms: Poems

Where did the idea come from for the book?
From having spent eighteen years in Medium Security running a volunteer writing workshop

What genre does your book fall under?
Poetry

Which actors would you choose to play your characters in a movie rendition?
Not Patty Duke. Not Karen Valentine. I know several guys who would love to play themselves, and I am sorry we've lost Bill McKenzie, a former student who went on to act in the movie Skeleton Key and in episodes of Crossing Jordan and ER.  He always wanted to have his own story told, was working on the script in L.A. workshops when he died.
 
What is the one-sentence synopsis of your book?
Diane Kendig spent four months in a men’s Medium Security Prison, spread over 18 years, and wrote these poems about time served.

Will your book be self-published or represented by an agency?
What? I’m a poet; I don’t quite get this question, the part about an agency, anyhow. And I don't have the courage of self-publishing. I am working on finding a publisher for this and my other book, Speaking of Maria Blanchard.

How long did it take you to write the first draft of your manuscript?
28 years or so, sort of like a word a day, while I was writing my previous book, The Places We Find Ourselves, and grading papers and taking care of family….

What other books would you compare this story to within your genre?
Joe Bruchac’s There Are No Trees Inside a Prison, a 1980s chapbook I have always kept near, combined with The Lives of the Saints.

Who or what inspired you to write this book?
The courage of incarcerated men and their families to survive this brutal, overused, underfunded U.S. institution.
What else about your book might pique the reader's interest?

In addition to me and my people, it includes historical figures who prevailed over and through the prison experience: Mandela, 19th century Joseph Palmer, Lefcadio Hearn, Marie Laveau….Maybe this one poem about Marie Laveau, the voodoo queen of New Orleans, who visited and assisted men in prison there:

MARIE LAVEAU AT THE PRISON, 1850’s

She did death row, the sister they never had,
trying at first her set-free spell.
But when Adam and Deslisle slipped
right through the noose, in front of the town,
they were hauled back and hanged again.

She moved on to her poisoned gumbo routine.
They died on the floor the night before hanging,
right after dinner.  Antoine Cambre, a wealthy Creole,
chose to go in the throes of her okra,
shrimp, ham, cayenne.  His own private agony. 

One, just once, she saved someone: a rich man
rescued at the edge of the gallows
by a galloping horseman with the governor’s pardon.
So Marie’d learned the prison trick:
you need money and magic to live.
 
 

STEUBENVILLE: Clean the Wound Before You Talk About Healing



Steubenville is a black crust, America is
A shallow hell where evil
Is an easy joke, forgotten
In a week.
--James Wright, "One Last Look at the Adige: Verona in the Rain"*
 

Too soon comes the “time to heal” rhetoric that was everywhere yesterday, including in the Columbus Dispatch report that some hope the verdict itself will “start the healing.”  

It is too soon to be talking about healing because there is too much infection that needs to be cleaned out first. Such as: who were the parents who hosted these parties? Such as: what about the 27 coaches, who not only knew about the conduct but continued the season? And the students who stood by and did nothing and worse?
First on the parents. Ohio has a “Social Host Law” which covers serving alcohol to teens, but tends to be vague on the issue of parents who leave the home and “don’t know” that 60 kids are in their house getting blasted. According to the Ohio State Bar Association website, many Ohio communities are revising the law to enable law enforcement to go after the negligent parents. Every other community in Ohio should join the “Coalition to Amend Ohio’s Social Host Law” and in the meantime, get their own local law revised. And in addition to criminal charges, there should be civil charges brought against the parents.

Meanwhile, how about parents teaching responsible drinking? Parents can still allow their teen to have alcohol in the parents’ presence, where ideally, they would learn responsible drinking, say a glass of beer with dinner instead of this incredibly stupid massive downing of cheap horrid stuff that is so a part of American teenage life. My college students from other countries are appalled at such behavior. Most of them have been drinking since a younger age than the Americans and much more responsibly.

I have already addressed the Steubenville coaches, who, like the parents, have learned how to “not know,” and leave no traces of conversations and yet assure the kids that they will “take care of everything.” So the head coach at Steubenville says he called everyone in and asked if they thought they had done anything wrong and since they all said no, well then, end of conversation. And the “volunteer coach” who hosted one of the alcohol-fueled parties the night of August 11th needs to be charged immediately with the “Social Host Law” and one hopes, by now has been relieved of his volunteer position.
But I think coaches in other schools need to take a stand, too. There is no reason that Steubenville should have been allowed to play out the season. If the Big Red team was not willing to cancel, then every team in the league should have refused to play them. The fine and similar team of the Massillon Tigers instead played them while displaying signs that read, “Rape Steubenville.” Okay well so much for sportsmanship.

As for the students who stood by and did nothing, we know there were far too many. Some can be charged with an Ohio law which makes it a crime not to report a crime. One student said he wasn’t sure what he was seeing was rape. How about kind, fair, decent? I am not so interested in seeing such students charged as I am that they are educated. By a few early accounts, the victim had some friends who tried to stop her. I would like to hear their stories, as well as the niggardly, grudging accounts of the players who spoke, and barely, only to save themselves from the very same charge that sent Mays to detention: use of a minor in nudity-oriented material.
Judge Thomas Lipps did an excellent job of conducting the trial, including his decision to try the youths as youths and to hand down a most difficult, harsh, and fair sentence. Anyone who says the boys are getting off easy needs to spend a year (or three) in the detention facility. More than anything, the judge articulated eloquently the problem: "Many of the things we learned during this trial that our children were saying and doing were profane, were ugly," Judge Lipps said. I was struck by his use of the word "profane," which I have always thought of as the opposite of religious but neutral, just "nonreligious." Going to my dictionary, I  see that it also means "to show contempt for sacred things." While I am a non-religious person, I still consider the Fifth Commandment, the Golden Rule, and the human body to be sacred. And so I think that it is time to clean out the infection in these places before we put a bandaid over them.

(*I am indebted to reader William Barillas, who pointed me to this quote.)

NOT THAT I LOVED HIGH SCHOOL, BUT I LOVE THE REUNIONS: On My Way to My 45th, Part II


The word “nostalgia” has fallen on bad times. (It is no wonder, what with bell-bottoms drifting in and out and back into style.) I read an editor’s guidelines that warned, “no nostalgia—at best, a sugary and temporary sweet.” That definition troubled me, as do some other derogatory treatments of the word that I have seen. While I do see a danger in deifying the past, I also see the dangers of ignoring or trashing the past, of recalling only the bad of back home, especially when so many of us no longer live where we began. And I think there are definite advantages in taking the time to go back to our roots and correcting our course for error.

Looking up the word “nostalgia” in my dictionary, I found among its definitions and roots a most tough, useful concept—even several reasons for attending class reunions.

“Nostalgia” has two modern definitions, the first being “a bittersweet longing for things, persons, and situations of the past.” The word “bittersweet,” the key for me, conveys all the ambivalence I feel about my high school experience. While there are people, situations, and things from those times that make me furious to recall, there are other things, people, and situations I do long for. (There aren’t many things, but one friend’s two-tone green 1950’s Chevy, which I did not appreciate nearly enough at the time, is one I’d love to ride in again—and there is no other car I have ever felt that way about, including the one I am driving now.)

The second definition of “nostalgia” is “the condition of being homesick,” a condition I have written on before. I believe that homesickness is a disease contracted by those from a home worth missing. One cure for the disease is a good hard cry; another is a trip home. But when home is not a place, but a scattered group of people, it is not so easy as getting an airline ticket to see your sister.

As my own deceased sister Daun (Perry High, ’70) once put it, “You can’t afford to get on a plane and see all these people. You can’t get on the phone and track them all down. But you can get a lot of them in one place every five years and re-connect.” This was before Facebook, but I would say that even Facebook is not the same as being there.  

For some classmates, the journey may take five hundred miles, but even for those who stayed at home, it can seem that long. My classmates who still live in our hometown tell me they seldom see each other any more than they see those on the other side of the state or country. Perry Township is not Lake Woebegone but Another Suburb, and suburbia, as Mr. Perez, our Spanish teacher reminded us often, was never about community.

Tom Hayden, of Chicago Seven fame, recalled that sense of high school reunions in the closing chapter of his autobiography, Reunion, where he described his own Midwest high school’s twenty-fifth year class reunion just outside of Detroit: “It all came down to this: no one checked hairlines or income levels or divorces or partisan labels as much as they asked about family and health and happiness….For me it felt like a return, not of everyone’s favorite son, but not a prodigal one either, just a native son. I hadn’t expected it, and I left several hours later exhilarated and satisfied.”

Many of my classmates put off attending the reunion till several pass, but once they came, reported having the sense that Hayden describes of having arrived safely home. In 1983, living in Cleveland, I bumped into a guy who was the only kid who was in at least one class with me every year grades one through twelve. Like me, he was considered “brainy” and unlike me, he was pretty quiet. With difficulty, I finally convinced him to attend the fifteenth reunion, and all through the evening he kept saying, “This is great! This isn’t at all like I thought it would be.”

“Cripes, Colin, what did you think it would be like?” I asked.

“Like high school!” he shouted above the band.

The surprise and the relief for us late-bloomers is that we get to come home as who we are, and if we are fatter or handsomer or balder or grayer, or the ultimate radical in the room of Republicans, a lot of us are more at ease with whomever we are now than the gawky 16-year old we were.

Or in the words of my younger sister Beth (Perry High ’72), “I left that reunion really glad I am me—not better than anyone else, but not like anyone else either. Different. I am myself, and that’s good.”

I must admit that one of my main reasons for attending reunions is to see someone “returning safely home” for the first time. I particularly recall a friend I had known through most of grade school and sat next to in Spanish III our junior year-- until she got pregnant and was whisked off, never seen again. She showed up at the tenth reunion with stories of her marriage to the father with whom she was stationed in Central America. There she perfected her Spanish way beyond what we ever did in Spanish IV—Mr. Perez’s excellent teaching notwithstanding. She continues to return to the reunions with her deep tan from years of living in Florida, taking on and beating everyone in pool on our get-togethers Friday night before the main event.

Another sweet classmate we’ll call Biff, was in the middle of our senior year production of West Side Story rehearsals when he and the principal had a serious run-in, and Biff was pressured to join the army or face prosecution for defacing a mailbox, which, he was reminded, is a federal offense. He turned up at the fifteenth reunion, not dead in Vietnam, safely home. And that principal, one of the worst administrators I have ever known in my years in schools and colleges, was long gone but still called up and vilified on the Facebook page, “Growing Up in Perry Heights.”

I am hoping the lure of the 45th year will draw several classmates safely home who have not yet attended, even as our 50th birthday party did. When we were in middle school, our then future Class President, Chuck, realized that we would all turn 50 in the year 2000 and promised himself that we would have a big birthday party. And so the summer of 2000, about a hundred of us gathered on the patio of a Mexican restaurant and long about midnight sang “Happy Birthday to Uh-us” and blew out our fifty candles. How can you not love people who keep promises for us all to themselves like that?

My mother heard before her fiftieth reunion that her childhood (not merely high school) friend, Muggy Yewgy, would attend the reunion that year for the first time. Mom was so excited she circled the packed ballroom for an hour asking, “Have you seen Muggy Yewgy? Have you seen Muggy Yewgy?” until she finally found Muggy and they fell into an embrace.

This is how nostalgia works at its best: we long for the one sheep still not in the fold, call it back by its yearling name.

*****

I haven’t yet mentioned that in looking up the word “nostalgia,” I keep coming up on a related Proto-Indo-European root (which is one very very very old root, indeed), “nes,” that means “homecoming,” which, my dictionary says, is related to the Old Norse, “food for the journey.” I really like that definition, though it is a bit of a stretch.

School days, long past, have ever-lasting effects. Those who attended the same grade school together have a twelve-year history, and then most of the rest of us, herded into one junior high and then one high school, spent at least six years together: six years, 36 weeks a year, five days a week, seven hours a day—not to count the extracurricular events and the hours of interminable bus rides. I haven’t spent that much uninterrupted time in one place with the same people since I left there in 1968.

And so I count on my former classmates to keep me honest about who I was and who I am. I may think I have changed, but they keep reminding me that I have just become more myself. (“You were always reading!” they say. “You were always writing!”) Like Hayden, I see my classmates as welcoming everyone, and I love that about them.

A high school reunion’s recognition, acceptance and celebration of self can make it a nourishing event: not just a meal, but communion. Maybe it's not exactly "the communion of saints," but you can commune with the saints in church. Meanwhile, the high school reunion can provide us with refreshment from our travels past and food for the journey to come, on to our 45th, to our 50th reunion, still looking for the Muggy Yewgys who have not yet overcome the distance, who have yet to make it home.

NOT THAT I LOVED HIGH SCHOOL, BUT I LOVE THE REUNIONS: On the Way to my 45th, Part I

I remember the phrase “high school reunion” from my earliest childhood. It meant that my mother (Canton McKinley, ’42) attended committee meetings for a year, got a new dress, and then one Saturday night, left the house with glistering earrings, a shooka-shooka-sounding taffeta slip under her black dress, and my father, who smelled like Aqua Velva as he kissed us good-bye. They would be out very late, and the next morning, in a voice hoarse from shouting above the dance music, Mom would tell us stories about all the people who showed up. If it was my father’s class reunion they had attended, Dad (Canton Timken, ’43) would say proudly, “Your mother flitted around the room talking to everyone! She knew more people than I did! She knows the whole city of Canton!”

It’s true that my mother, who couldn’t pronounce my husband’s French surname for the first 10 years of our marriage, before she died in her 80s had the names, faces, and life histories of all of her 500 classmates permanently engraved on her brain. Add her gargantuan appetite for nostalgia, and you have the Queen of Reunions. In one two year period, my parents attended four family reunions, two high school reunions, and my father’s WWII outfit’s reunion.

Some of those in that “Greatest Generation,” having been through the Great Depression and World War II, tend to want to remember more than some other generations, I think. I don’t have quite the appetite that my parents do for reunions. I never attend the ones at my college, which I hated anyhow. I attend family reunions when I am in town, which wasn’t too often before I moved back. And yet, I have attended all of my high school reunions to date, which are getting more and more like a verse from Peter Nelson’s song, “Summer of Love”:

We are married with children, mortgages too
And we can't believe all the things we used to do.
We can still sing along to that song by the Byrds
Though it's harder each year to remember the words.

Still my work is nothing compared to that of Marsha Brown, perhaps the world’s only self-effacing former football queen, beautiful as always, who manages to get to keep track of and often attend funerals of many classmates and their parents, who manages to stay in touch with several of us, still penning real letters in large, “A+” in penmanship script. Or Dave Motts, class VP and now the Business Manager of the Pro-Football Hall of Fame, whose management skills may be what keeps our reunion machine going. Or Kathy Paris, who is such a cheerful nagger of those who have yet to attend. 

*****

At breakfast with my husband one morning recently, my dream from the previous night came back and hung over me like Joe Btfsplk’s cloud.

"Paul, I dreamed it was the prom, and I didn’t have a date,” I sighed. “Sometimes it seems like all of high school was about not having a date.
 
He nodded empathetically.

“For you too?” I couldn’t imagine dating as an issue for Paul since he went to an all-boys school. “Really?”

“Oh yes, and….” As his thought trailed away, he looked uncomfortable, shrugged off the thought, and continued in a brighter voice, “I wouldn’t want to think about high school as much as you are going to in order to write that essay on class reunions.”

Actually, attending Paul’s class reunions from a high school that was not only all male but small, private, and in the East, has helped me to see my own most large, public, co-ed Midwest high school in sharper focus, as though attending his gave me stronger glasses to hold up to my aging eyes, delineating the scene more clearly.

*****

The first difference struck me the moment I walked into Paul’s fifteenth reunion and saw more dark, expensive suits and ties than I have seen in a lifetime. (Paul, in his light seersucker jacket and open-necked shirt, was the only one out of uniform.) Perhaps the dress is indicative of these graduates’ careers in the professional managerial class. The men dress this way every day for their jobs as dentists, bankers, and businessmen.

Meanwhile, at my reunion, the clothing among both men and women is most varied, from the people who think they are still dressing for the prom to the very casual types. Some men come in suits, some do not—certainly no one living in Florida does. The women wear pants, dresses, and skirts with hemlines and necklines rising and plunging less along fashion lines than personality lines. I agonize over what to wear, and even as I type this, I wonder if I will be able to stand the backache I’d get from wearing my open-toed lavender pumps, or if I have to put on the Earth Shoe Mary Janes I find myself wearing in self-preservation these days.

There are fewer professionals in my class than in Paul’s; I would guess that most of my classmates who are professionals are teachers. We tended to have “jobs” rather than “careers” early in our lives, especially the women, and many came to our careers very late, some after children were raised. As Wendy Wasserstein once noted, we are of that generation of women who were sent to universities to marry a professional, not become one, so that when we graduated in 1972 and our elders asked us what we were going to do for a living, we suddenly found that the expectations for women, like many other facets of life, had undergone quite a metamorphosis in just four years while we were in college.

As I stood at my 20th reunion in 1988 with my new husband, watching Jean Housos tear up the dance floor as she has been doing since fifth grade (she has such moves, she could be a Swiss clock on steroids), Paul noticed a salient factor of my youth that I’d have missed. “I can’t believe how much Motown they’re playing,” he said.

Certainly if my high school dances rocked to the Beatles, the Who, the Beach Boys, Herman’s Hermits, the Byrds, and the Stones, they also rolled to the Supremes, the Temptations, Aretha, and Hendrix, even though my class was 100% white and the school was 99% white. (The school system was quietly integrated in 1963 by four families, none with children my age.) To dance at my class reunions is to realize how close we were to Detroit, just three hours away, and Cleveland, home of the Moondog Coronation Ball.

Of course, the biggest difference in our schools, and so in our reunions, dawned on me as we walked into his, and I realized that every woman in the room was a “mate,” that the only way to gain entrance to the event was to be a male or attached to one. I had never in my life been anywhere before where the sole criteria for a woman’s presence was her being attached to a man. (Roles for women have indeed expanded.) Out of 70 men in the class, only one man once in two reunions attended without a wife. And he came with a waitress from his restaurant.

People come to my high school reunion paired as well as unpaired (either single, divorced, widowed, or in the process of divorcing that jerk across the room.) In that sense, and in many other ways, our reunions remind me more of sock hops than proms. In another way too: more people on the prowl. At my 15th reunion I watched the most handsome, unmarried pair stalk each other for all the world as they did their junior and senior years without ever going out. And if we do not come to stalk, we do look for the persons we might have chosen and didn’t, the secret crushes and former steadies.

My breakfast melodramatics notwithstanding, high school was not all a matter of not dating for me, and in retrospect, I am grateful that I spent the first eighteen years of my life working and playing in the company of boys. I was unready for dating then and learned to know men first as friends and colleagues, perhaps the most useful lesson I learned in school.

Then there is size. “One cannot have too large a party,” Jane Austen once noted, and certainly the Perry High School class of 1968, with 356 graduates (most don’t come, but still…) constitutes a large if not too-large party, a shockingly loud one after attending Paul’s small quiet one. This, too, is fitting since noise is the salient sensory impression in my high school memories. (Proust had madeleines; I have decibals.) From the high-ceiling cafeteria jammed with hundreds of students to the weekly hour and a half pep rallies held in a city that considers itself the cradle of football, Perry High was a constant din. Built beside a railroad track where the trains ran regularly between Chicago and New York, the school air filled many times a day with trains rushing by so loudly that we could not shout over them. My memories of classes and football halftime shows by the marching band are punctuated with stop-action scenes of teachers waiting with their lips posed to finish sentences, horn players with embouchures hovering over their mouthpieces to repeat a chorus once the train had passed.

So I like the rowdiness of our reunions. For long stretches of the evening, I just stare, brain-numbed, letting the sound of a too-loud band or DJ rush over me while everyone tries to shout above the music. That part reminds me more of high school than anything.

TALKING BACK TO JAMES WRIGHT DURING THE STEUBENVILLE RAPE TRIALS


I had a poem published this week titled "St. Agnes Eve Arrives in Steubenville, Ohio." I want to think out loud about it here, not so much explaining the poem, which doesn't merit explanation, as to talk about what's been troubling me about football this week--and all my life.
I have been re-reading James Wright’s poem, “Autumn Begins in Martin’s Ferry, Ohio” [available here], a poem I have always loved because as an Ohioan from one of the most football cities in this very football state—my hometown of Canton being the home of the Professional Football Hall of Fame—the poem really captures for me how high school football players become the be-all and end-all, the heroes, for many people in a sad town that has nothing else going for it. “Suicidally beautiful,” Wright describes their playing in his last stanza. The boys “…grow suicidally beautiful” [emphasis mine]. They weren’t born suicidally beautiful, they become  that way once on the field, the poem suggests but suggests too, I think, that the boys are being raised to this way of being.
Recently, in light of what has been called “The Steubenville Rape Trials” coming up in March,* I have been thinking a lot about who is missing from the poem. The fathers are there in the second stanza, and “their women,”--presumably the mothers, though they aren’t awarded their parental title-- are there in the second stanza where they “cluck like starved pullets.” However, I only now notice, there are no daughters. They are MIA, which is curious because there are a LOT of daughters at our Ohio football game. Heck, at all football games, even at the Super bowl..  

A high school friend, Jenny Ebert, posted on Facebook during the Super bowl this past Sunday: “Why can't women stay dressed @ the Superbowl? It always has to be about sex. Where is entertainment with amazing dancing & singing, and uplifting encouraging messages. Enough pelvic thrusts and bouncing boobs!!!”
I wrote back: “They can't stay dressed at the Superbowl because they can't stay dressed at football games and perform. Don't you remember the PHS head majorette in 15 degree temps performing in a teeny sequined swimsuit??”
Jenny’s post triggered a memory from my junior year in high school. The head majorette was scheduled for a half-time solo in her new, exciting costume. She was tiny, probably a size five, maybe three, and the costume was a sleeveless, high-rise, silvery one-piece, skimpier than anything I can find in google images. That outfit would have made the Dallas Cowboy cheerleaders look overdressed. I recall too that it was so very bitter cold that penultimate game of the season, that Friday night in November, the ground one quarter-mud, three-quarters-ice, as she walked out with so much skin exposed and performed her full baton routine, then ran back, where her mother wrapped her in a big blanket, and she was half-carried to the bus till she could stop shivering like a broken toy.

Clearly what the sons are given to do at the games is heroic. What the daughters are given to do is…entertain the troops. How half-naked in November accomplishes this is one the adults should come clean about. In addition to the majorettes, we had the cheerleaders, which were never ever boys at our school, always girls. Short skirts. And certainly bouncing boobs. 

And then there are the Queens for homecoming and their attendants. My sister was one of them, every year. Sophomore, then Junior Attendant, then Queen. And I had long forgotten, and now recently recalled again, her telling me about one weekend her senior year when.she was dating a star player on the football team. They had been in his parents’ basement watching TV when he came on to her. She said no. He forced himself. She fought. She screamed. And then she heard his parents’ car in the driveway. She screamed louder and more. And he stopped, told her to stop, stop. He’d stop if she’s just be quiet. She did, he did, and she went up the stairs and came home.

The next morning, she told my mother what happened, and my mother, as my sister retold me, said, “Well, you know those football players are trained to take what they want.” Let me be clear. My sister was not raped. And she did not call it rape. But in that moment with my mother, who otherwise always took her side, she saw that there would be no support for her if she were raped, especially not if she got pregnant. Then you were supposed to keep your mouth shut and marry the guy and have the baby. The following fall, my sister left for college and spent much of her time as a speech major researching a speech on rape that she gave often and won with in college competitions. She never had the opportunity to give the speech in our hometown, which she never returned to for longer than a week-long visit. The football player went on to become a coach in our school system.

Ah, the coaches. The Steubenville coach went right ahead with the season. According to the New York Times, he asked players if they felt they did anything wrong, and they said no, so he did nothing to them, even though they drank, witnessed the girl being molested, and posted photos of it on the internet. Finally in October when two team members testified in legal hearings that they had done these things, the coach suspended them. (The season was 80% over.) And then there are the coaches of the teams that went ahead and played Steubenville.The lovely fans of Massillon, the team in my backyard here, had a sign at the play-offs that said, "Rape Steubenville." Classy, huh? Note to coaches: Forfeit if you have to in order to take a stand saying, we are not going to have anything to do with guys who would treat another human this way, But then we wouldn’t have a Superbowl some years if we held to those standards.
The female, a 16-year old honors student from a small Catholic high school across the river in West Virginia, may or may not have been raped, technically, but clearly she was abominably treated. The judge said the treatment of her by others at the party "did not rise to the level of criminal conduct" (I think he meant "sink to the level of criminal conduct"). Hmmm, they watched and snapped photos of her being hauled, passed out, naked, drunk, to three different parties, where she threw up and had fingers stuck up her crotch– all of which we know from the testimony of many classmates and the evidence of many photos on phones and posted online. If this is not rape in the legal sense, surely it is in the metaphoric, emotional, and very human sense. And the high school girls who stood and watched?-- I don't ever want to meet one of them. No one has said a word about them. Who are they??
As I have been thinking and writing about this all, I happened to check out the calender the weekend of the whole legal entanglement about how this very young girl was to be referred to in court. Her lawyers wanted her referred to as “the rape victim,” but the defense, wanting to remain innocent until proven guilty of raping, wanted her referred to as “the accused.” I was galvanized by the date the papers were filed and announced. Smack between the dates: January 20th, St. Agnes day. Previously, all I knew about the day was that Keats had a poem about it because St. Agnes was the saint of virgins. Wondering what that was about, I looked up her legend. Seems Agnes, who lived during the Dark Ages (ahem), was desired as bride by the Prefect’s son, whom she turned down. So, as the legend goes, the Prefect had her sentenced to death. Only you couldn’t kill a virgin then. So  the Prefect dragged her to a brothel before he killed her. Dragged her through the mud, so to speak. Oh, and in addition to virgins, she is also the saint of rape victims, I come to find out. I couldn't even write about that without feeling I had a sledge hammer.

So I wrote the parody that was published this week—not to mock Wright’s poem. A parody can be an imitation, or a response. I wanted to respond to my own question about Wright's poem: what is happening to the daughters as the sons grow suicidally beautiful? You can read it at New Verse News.

(*For the best re-cap of what is being called "The Steubenville Rapes," see the long New York Times summary here.)